Tuesday, June 26, 2012

50-50 IV Blue Tractor (Diptych)

Blue Tractor (W/C), 6 x 6", created on 6/19/12
SOLD

Blue Tractor (Oil), 6 x 6", created on 6/25/12
SOLD
I love this scene. The image of the oil is much more saturated than the w/c, but the originals are very close in hue.

50-50 IV McNee Ranch (Diptych)

McNee Ranch (W/C), 6 x 6", created on 17 June 2012 

McNee Ranch (Oil), 6 x 6", created on 25 June 2012
SOLD





Friday, June 22, 2012

50-50 IV Juliana Avenue (Diptych)

Rough Water at Juliana Avenue (W/C), 6 x 6", created on 6/15/12
SOLD
I painted the same scene a week apart, both in plein air, about the same time of day.  For today's oil, I moved over to the right about ten feet to capture the green and pink bluff and the surf filled with kelp. I live in such an incredibly beautiful place.


Juliana Avenue (Oil), 6 x 6", created on 6/22/12
 SOLD

50-50 IV Bird's Rest (Diptych)

Bird's Rest (W/C), 6 x 6", created on 6/15/12
SOLD
This 50-50 process is fascinating to me. Last Friday, I painted the watercolor out on Juliana Avenue in Moss Beach.  The water was rough and gray. Today, a week later, I painted the oil from the same spot and the water was turquoise and calm.  It's obviously the same scene, but the media, lighting, and surf make both paintings feel very different.
Bird's Rest (Oil), 6 x 6", created on 6/22/12
SOLD










50-50 IV Surfer's Beach (Diptych)

Surfer's Beach (W/C), 6 x 6", created on 6/14/12
Surfer's Beach (Oil), 6 x 6", created on 6/22/12
SOLD






I painted both of these from a 12 x 24" oil of Surfer's Beach.

50-50 IV Miramar Beach (Diptych)

Miramar Beach (W/C), 6 x 6", created on 6/21/12
SOLD

Miramar Beach (Oil), 6 x6", created on 6/20/12
SOLD
These two are the first of my diptychs. I painted the oil to go with Surfer's Beach (W/C), but they didn't look married. I painted the watercolor above from photos and the oil.

Thursday, June 21, 2012

50-50 IV June 20, 2012

Mirada Beach (Oil), 6 x 6", created on 20 June 2012

I painted my first oil for the 50-50 IV show yesterday on the bluff between Surfer's Beach and the Mirada Inn. My friend Catherine joined me and brought me lunch. Thank you, Catherine!  I was trying to paint the companion oil painting to go with the watercolor Sunlight on the Bluff, but when I got home, Eleanor concurred that they were not a fit marriage.

I've designed a nice little set up for painting in plein air.  I've got twenty-five  7 x 7" canvases taped down to  pieces of cardboard and my french easel stocked with the essentials. I'm ready! I'm on schedule and feeling up to the challenge of painting 41 more paintings in the next 41 days.

Wednesday, June 20, 2012

50-50 IV June 13 - June 19, 2012

 Sand Hill Road (W/C), 6 x 6", created on 13 June 2012


 Sunlight on the Bluff (W/C), 6 x 6", created on 14 June 2012


Rough Water (W/C), 6 x 6", created on 15 June 2012


 Bird's Rest (W/C), 6 x 6", created on 15 June 2012


 McNee Ranch (W/C), 6 x 6", created on 17 June 2012


 Ocean Avenue (W/C), 6 x 6", created on 18 June 2012


 Pillar Point Sunset (W/C), 6 x 6", created on 18 June 2012


Blue Tractor (W/C), 6 x 6", created on 19 June 2012
SOLD

Welcome to the first eight paintings of my work for the 50-50 Show IV, a fund raiser for the Sanchez Art Center. All of the paintings are for sale for $125 (+ tax). (Pre-sales allowed.) 

Email Mary Kay at jolleyart@comcast.net to purchase a painting.

50-50 Show IV
August 24-September 30, 2012 
Gallery hours: Friday, Saturday, and Sunday, 1-5 p.m.
Ticketed Preview: August 24, 6-7:30 p.m. ($10 in advance or $20 at the door)
Grand Opening Reception: August 24, 7:30-9:30 p.m.
Grand Closing: September 30, 1-5 p.m.

I hope that you will put this date on your calendar and come see the show. There are 70 artists who will each have wall space for 50 works attached to 6 x 6" panels, one inch apart,  in a 7 x 7 grid (with the 50th painting on the side.)

Warnings from Cheap Joe's


I ordered my paper and canvas to begin my work on the 50-50 IV show. These are the warnings on the box from Cheap Joe's. Don't miss the last one.

Paintings 130-138 Jeanne Carbonetti workshop

 Poppies, (Jeanne Carbonetti Workshop), 30 x 22", watercolor


 Dahlias, (Jeanne Carbonetti Workshop), 30 x 22", watercolor


 View from the Porch I, (Jeanne Carbonetti Workshop), 15 x 15 ", watercolor


 View from the Porch II, (Jeanne Carbonetti Workshop), 15 x 15 ", watercolor


 Study from View from the Porch, (Jeanne Carbonetti Workshop),
6 x 6", watercolor


 Study for Golden Mist, (Jeanne Carbonetti Workshop), 5 x 12", watercolor


 Golden Mist, (Jeanne Carbonetti Workshop), 15 x 30", watercolor



 Gestural Study for Barbie, (Jeanne Carbonetti Workshop), 8 x 6", watercolor



Barbie, (Jeanne Carbonetti Workshop), 30 x 22", watercolor

Jeanne Carbonetti's workshop was held May 21-25, 2012 at the Omega Center for Holistic Studies in in Rhinebeck, New York in the famed Hudson River Valley. The paintings above are my body of work for the five days. Jeanne was inspirational and an excellent teacher. I immersed myself in meditation and painting from within, using no reference photos,  painting what was in my heart and mind, allowing the painting to tell me the next steps, a style Jeanne calls Expressive Realism.

Golden Mist is my favorite from the series, an interpretation of Surfer's Beach. Jeanne gave me the  ultimate compliment during critique, calling it "high noon of Expressive Realism".

I spent the week with my dear friend Kristen, who painted beautifully in cool green, blue, and lavender.