These two watercolor paintings, 5 x 7", of spider mums are sample paintings for my CUMC class. The technique is called wax resist. On our trip to Yosemite, I saw a print of a floral watercolor painting with wax resist. Evelyn used to do wax resist every once in a while. It's such a fun, I feel I am back in elementary school.
Saturday, March 17, 2012
Paintings 121 & 122 Spider Mums
These two watercolor paintings, 5 x 7", of spider mums are sample paintings for my CUMC class. The technique is called wax resist. On our trip to Yosemite, I saw a print of a floral watercolor painting with wax resist. Evelyn used to do wax resist every once in a while. It's such a fun, I feel I am back in elementary school.
Painting 120 McNee Ranch
McNee Ranch, oil on canvas board, 12 x 16", is from a photo that Kim took of the open space that was just given over to Golden Gate National Recreation Area. This area has been a favorite spot for locals to walk their dogs off leash for decades and reaches from Pacifica to the hill behind our house. In the first of February, a dog walker was told by a GGNRA park ranger to leash his dog, which he did, but the incident blew up, and the ranger tasered him. It was big news around here.
Friday, February 3, 2012
Painting 119 Bamboo
The idea of the bamboo painting is to keep things simple, to say much with as few brush strokes as possible, to allow the negative space to speak.
The red mark is from my chop which says "Mary Kay" in Chinese. My chop was carved by an old gentleman in the Kee Fung Ng Gallery on the corner of Grant and Clay Streets in San Francisco. In December, I sent my friends down to get chops carved and found out that the old gentleman had passed away and no one else was carving. So sad. It makes my chop even more special now.
Painting 118 Pigeon Pt. Lighthouse (oil)
Saturday, January 21, 2012
Paintings 116 and 117, Pigeon Point Lighthouse & "A Good Crop"
I'm prepping for my Sunday church class in which we'll be painting lighthouses. This time of year, the mustard is in bloom and covers entire fields so I wanted to put those Bumblebee Yellow blossoms in the foreground. I couldn't decide on the size of the lighthouse, but chose to make the lighthouse about 3" tall and then traced and cut out 22 copies of the stencil on contact paper for the students before I painted Pigeon Pt. Lighthouse (watercolor, 7.5 x 11").
Viola! Same painting, cropped, but a much better composition.
A note on stencils:
To make my stencils, I take photos of the subject, print the image on photo paper and cut out the object, in this case the lighthouse and keeper's quarters. With a ultra fine Sharpie, I trace the stencil onto clear contact paper and cut out the shape, trying to cut inside the sharpie marks. I stick the contact paper to the watercolor paper in place for a balanced composition and paint the background over the top.
Sunday, January 8, 2012
Paintings 113, 114, and 115 NH Foliage
Thursday, January 5, 2012
Painting 112, Surfer's Beach, Low Tide
The tide at Surfer's Beach has been low in the afternoons the last few days. I painted this Surfer's Beach, Low Tide (watercolor, approx 10 x 20") yesterday and touched it up today. I have a mat in this format so I thought that I would see how it looked. I also painted on Arches 300 lb. paper, a paper I don't often use, but I liked the heavy weight of it out in the breeze and the roughness for the wave action.
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